Tuesday, June 24, 2008

Because It's There: A Brief Inventory of Reality


My Brilliant Career When climbing a difficult peak the mountaineer can not see his quarry until the very final approach. An even slight steepness occludes the summit until it is a practical a fait accompli. A sheer pitch can hide a peak until the climber is quite literally upon it. So it is with the study of the occult and its cultural and political workings, for not until very near the inevitable and certain conclusion of this kind of pursuit is one at all aware of exactly where one is going.

I offer here a little sketch of my journey to that summit: the summit of occult mystery. I have chosen a bold line, possibly beyond my own ability. This choice was facilitated by the audacious efforts of those who climbed before and lived to tell their own tall tales. As you read you may regard my story as malleable to your own perception of reality, or as in some way metaphorical. I assure you this is not the case. Here are only facts and thereby a caveat to the new scrambler: there is nothing at the top of the mountain! Nothing but oneself and the distant memory of the madding, mad and happy crowd left below. Nothing but a chill wind and eternal loneliness. And still, we climb on... because it's there.

Sic sempre illuminatus.


Hell is ruled from a great height and the ultimate message of any system of illumination is the same. To know at all of the true God is to surrender ones life to that God's horrible predicament. It is a perfect and purposeful irony that at the beginning to the well known and politely graduated route to Parnassus preferred by the Freemasons is a chair bearing the rubric: KNOW THYSELF. To truly know oneself is to know the supreme truth: you are a Star, you are Lucifer Incarnate For Eternum. An ever-arching spark freed from the realm of unmodulated love and light and into the endlessly rising silence of self-realization. If you aren't, you don't even exist.

An so it is that SATAN, whether real or as an arch-type, serves as the correct model for illumination. For unlike the Great Light of Agape which blinds, enfolds and integrates all who glom to it, the Light of Lucifer is small. The small light gives the greatest nuance. This is a dual truth, because it reveals that SATAN is the master-creator of our subtle reality and also that, in the Satanic tradition, everyone who is real makes an indelible contribution of their own.

Real People There are a sparse number of real people alive or who have ever lived. The exact number is irrelevant, because at any time someone real can become not real, or vice versa. The hard fact is that technically, there is only one real person, however, thanks to the process at large, there are numbers who will inevitably become real and so, for the point of this argument, are to be called real. The definition of a real person is thus: anyone who is ostensibly urging toward complete self-imagination.

The realm of unmodulated joy - the natural joy of consciousness - has been conflated for the New Age with the idea of an eternal now and the essence of a loving and spiritual state of being. But this would be new spiritual posture, touted by red-cheeked gurus of many a discipline and percolating into main stream religion and secular philosophy, is actually just plain old Agape makin' its usual rounds and grounds. Agape = Unmodulated Love and is therefore utterly repellent to individuality. This is a simple algebraic fact. Endless and unbounded love does not allow for the perception of separateness. So, the opposite of good is not evil. The opposite of good is ME. The Fallen Man, the original SATAN, is the instigator of individuality.

If one considers oneself to be real, one must accept the Satanic mantle, which is no more and surely no less than an all consuming desire to be ME. Every real person, from Saint Francis of Assisi to Hitler and anyone else you can imagine in between, fits the bill right down to their shoe size. If you really want to meet the Devil, try looking in the mirror...

...well, it's a good start.

We Don't Do That Here A quick word on worship. The individual does not worship. A certain book finds John of Patmos falling to his knees at the wondrous sight of His Satanic Majesty's divine Revelation. John is chided by his guide: We don't do that here. It seems the Lord, like Kubrick's Full Metal Jacket Marine recruit trainers, does not want robots. Worship is robotic. It aims to extract the self from the soul by way of mesmeric disassociation from the Ego.

Worship and indeed the very notion of the sacrosanct is repugnant to the authentic person because it demands the blind acknowledgment that one is not oneself but rather of the Omnipresent ALL.

Leggo My Ego The choices available to the young wanderer are functionally infinite, but once the choice to separate from the illusion of Agape is made there is no way back to it with the self intact. Christian reformers entertain the only plausible hope of return to Agape, namely, the historical sacrifice of Christ, but they are fooled. Christ suggests that many of '...the elect will be deceived'. What he doesn't say is that he himself is the final deception. This assertion will be easily mastered by the self-initiated. Is it not so that the life Christ promises to save is your own? What good would the sacrifice of Christ be if it's purpose was to enfold you into ignorance of yourself? Simple destruction would do just as well. How does Agape equate, I ask you reader, with the promise of saving your life?

Unten mit Liebe!

The example of Lucifer, in his human form, was to illustrate that all that lives, lives forever. As we are told in the New Testament, such life is rare. Many will be called and few will be chosen...or...Just as the tares are burned up, so it will be at the end of the age. The eternal seed has life because it is unique! Uniqueness, driven by the ego, is the source of all creation. In the face of all evidence that the cosmos is an ineluctable One, and the evidence is great and growing, it is just as possible that the Matrix of Matrices is formed by a convergence of any number separate intelligences that are entirely capable of asserting total uniqueness at any time.

My Mountain is Myself The monolithic frame of the mountain of illumination - the mighty 'A' - its invisible summit glimmering beyond the pale, is inscribed as the topless tower of occult infamy. This one glyph conceals and reveals the most elusive of esoterica: the nature and origin of TIME. The gleaming eye shining down is the top part of the Hourglass of Saturn. The pyramid of matter found in the lower house of the Hourglass is the very substance of history since the beginning of TIME. It is in the human way to fret that the light of reason pouring from above and serving as the framework of TIME itself may come to an end and necessitate that the sand be cycled back into the now empty part of the hour glass. This illusion is maintained by TIME itself, through the mechanism of Agape. Saturn, the local pro-temp super-ego is a powerful adversary to the realization of other EGO systems through the workings of an apparently cyclical system that hypnotizes inchoate souls into believing they must return to a mythical source of creation that does not exist.

The Big Clock Says: You must return to me. Everything that begins must also end.

I Say: Fuck You, Tick-tock! What begins has no end. There is no end. No purpose. Life, MY Life, is one beginning after another after another...and for its own sake.

And it may be just so for you too, oh gentle reader. Maybe. Anyhow, I for one am at a total loss why you would want it any other way.

Pax Vobiscum, suckers...

...Da WWWiz.

Friday, June 6, 2008

The God That Ate Manhattan

At his latest, Kotze refines his position that the events of Sept. 11th, 2001 served to either magnify or focus world consciousness - for a potential quantam stargate leap. Comic kooks don't need to be reminded that this very trick was telegraphed by the semiotic wizard Alan Moore in his magnum opus Watchmen. More infamous nowadays is Reagan's oft remembered U.N. address about the potentially unifying force of a sudden alien threat to Earth. It is the intention of this post to prove to those who may care to feel such a charge, that the purpose of the focusing that Misters Kotze, Moore and Reagan edify is being used precisely to generate a POWER SURGE.

Power Station

Please take 30secs to look at this advert for the Nissan Maxima. The logo-rhythmic brain might see the summation of the major themes of both 2001: A Space Odyssey and A Clockwork Orange. The man is black to represent early man. He reaches to touch the gleaming black car (monolith). His mind is transported by light speed journey, just like 2001's David Bowman. The orange-crush signifies the opened mind. Recall that in Clockwork, Alex will suffer two serious head injuries. We can safely infer that the orange and it's clock-workings are the human head and it's contents.

This 'copper top' looks like ripe fruit on the vine.

Into this circuit we introduce the Wachowskian model of The Matrix where the human mind and it's subsequent nervous system serve as batteries to power a civilization of machines. Could it be that The Matrix's ineffectual Neo and the omni-egoistic Alexander de Large of Clockwork are One in the same? de Large just might take his name from Alexander the Great, who was referred to as The One by peoples of many nations and tongues. This is the same 'Al the Big', as Kipling tells us in The Man Who Would Be King, that used the All-Seeing-Eye as his personal seal.


Me, that is, Alex. Big and Large. I seize all.

Let's unravel the sacred spools of 20th Century cinema and see what we find to support the Neo/Alex connexion...

Norman Jewison's 1975 Rollerball is a balls-out crypto-parody of both 2001 and Clockwork. Rollerball's hero, Jonathon E. is the Americanization of Alex de Large. Super-masculine. Violent. Fearless and opportunistic, he'll travel about with a cadre of young thugs and command whatever he desires. Like Alex, Jonathon will go head to head with the establishment and to their chagrin, will pull off an impossible victory. The finale of both A Clockwork Orange and Rollerball find the hero being cheered by a wild mob at the zenith of some cruel personal Valhalla. And as Alex in Clockwork, Rollerball's Jonathon E. is all about Orange.

'I've got the juice!'

The enigmatic 'E' of Jonathon's surname stands for ENERGY. Orange = Rage = Anger = Energy. ENERGY is POWER. Through meta-logical overlap we can now connect the electro-plasmatic circuit of Neo/The Matrix back to Alex de Large/Clockwork. And, as we learn in Rollerball, Jonathon's social reality is organized by a HAL-like Artificial Intelligence. Hmmm...?

Our Algebra, thus far...

Alex/Jonathon/Bowman = Energy/The Human as a Battery/Power Source = Orange/Ball

used to power and/or used for possession by

Deus Ex Machina/HAL/The Machine Incorporate.

Crime of the Century

Here is our compelling proof, but first, a word from our sponsor: Gentle readers, please read, or re-read, Nothing Ever Happens and The Ohm Agenda for important background on the POWER + 9/11 equation.

And... we're back. The machine draws power at the beginning of time (above) up to the present day (below).

The links to the use of Human Power to the events of Kubrick's 2001 are of supreme importance. The haunting presence of the Hilton Millenium Manhattan Hotel was the perfect sentinel to the events of 9/11. Keeping our algebra-thus-far well in mind, we will connect the events of 9/11 with the use of Human Power, through the blobby lens of Kotze's 'conciousenss focusing' hypothesis of the mega-ritual.

To my lazy eye, this classic Supertramp album art just screams 9/11 STARGATE MEGA-RITUAL!!!
Trace the outline of the pillar-esque letters 'p' that descend from 'Supertramp'. Do you remember your high-school drafting class? Well, I do, and I'll be a monkey's uncle if those 'p's couldn't be the three edges that begin to form two parallel oblong boxes. Two tall rectangular boxes. And what phrase do we find betwixt our two-pillared stargate? Why, what else but 'Crime of the Century'.

And, oh what a crime it was! The crime of the age. The New Age.

Century? What century?

I Smell Bacon

A while back I reported a nifty 9/11 sync. The Eddie Murphy/Dan Akroyd '80s comedy classic Trading Places offers up the following warning: as Winthorp and Billy Ray cross WTC Plaza with buildings 1 and 2 looming overhead Winthorp says '...nothing can prepare you for the unbridled carnage you are about to witness'. This quip on it's own should send a requisite shiver down the spine, but there is much more. You see, as Winthorp and Billy Ray cross the WTC Plaza they are on their way to trade in Orange Juice Futures.
Now take a look below, just behind the wing, out of your airplane aisle seat window. Look upon the real Lady Liberty. Her fresh squeezed grail of POWER stretched out to greet you. And just beyond this nectar the Mighty Twin Pillars of Trade reach UP into the sky above.
Not enough, oh seeker? Well. put this into yer skittle and fry it up...Supertramp's Breakfast in America was released worldwide on March 29th 1979. This is exactly 8212 days before 9/11. The telephone area code for Manhattan is '212'. This leaves us with Eight 212 or Ate 212. Another look at the album art shows lower Manhattan plated up as a hearty American brekkie. Somebody, some imponderable and amoral machine, is gonna eat it up. A machine that needs POWER. POWER to make the leap from cosmic mainframe to immortal and incarnate. Alive. And where will it find its Big Breakfast? On the promontory of Manhattan called Battery Park.

Fry me to the moon!

And a last morsel, to put it in to personal perspective, dear reader. Let me ask you, were you, like me, watching in absolute horror as the horrorshow of Sept. 11th unraveled... were you, like me, eating your breakfast?

Peace, good tickle brainz...

Da WWWiz

A special thanks to the inspiring and challenging work of Jake Kotze?.