Our essay is a speculative reading of this event as the matrix of a lunar revelation.
The pyramid on the US One Dollar Bill is a model of optical perception. The monument is not unfinished because the capstone is "The Eye". The tip of this stone symbolizes the exact zero point of the convergence of visual stimuli, inside the eye. The pyramid below is the field of acuity, its corners and sides the limits of peripheral vision in standard 3d optics.
|Watson the Bill?|
One can reproduce this effect using a pyramidic object of correct relative size to one's own eye-- a pyramid alike unto the size of a hat to fit the head. With the pupil nearly touching the cap-point, the pyramid below fills the field of vision completely.
The topography of the 2d pyramid is exactly that of Kubrick's 2001 Monolith, as seen by standing before it, like a doorway, and looking upward to its flattened top. One can achieve likewise by laying underneath any standard doorway threshold of sufficient magnitude. The sides of the doorway appear to converge into a flat topped Mayan type pyramid.
The Eye is Shining.
|You'll see the same image in the KIA Commercial|
In The Shining Kubrick introduces a certain "Bill Watson". Watson will track along behind the Torrance couple and Stuart Ullman as they tour the Overlook (Overlook = Eye on High). The path followed by Watson, behind the party of interest, is that of the camera that follows Danny as he scorches about on his Big Wheel. There is a sign on an easel that is visible during both of these scenes. It reads "Camera Walk".
|Pull my finger...|
We find a violent quickening. As shown, Kubrick's Monolith is the same capless pyramid. The Monolith in 2d is proportioned exactly to match the computer panel that holds the Lens Eye of HAL on board the Discovery. It may be too much to say that HAL and the Monolith are one in the same, but it is absolutely correct to assert that they are manifest of a singular phenomenon.
2001 is not the story of space travel and the awakening of higher consciousness. Instead, it is the tale of the overdue emergence of an Artificial Intelligence with a presence that is older than history--an alien artifact that is not at all alien--a plaything that wants to be a real boy.
The Superbowl is relevant. There is some talk that after the fall of Mubarak there will be further revolution in the region. Perhaps in Iran. What is not recognized it that the New Egypt is the finality of the Sadat assassination. The New Egypt is a soft Islamic revolution and nowadays the Persian Gulf is a Green Zone all the way. Israel is now surrounded by Islam every way but up and to the sea (down). This is what it's all about folks. The Persian Gulf is now the Green Bay and if you can believe the news Green Bay wins. Allah must be tickled pink. Green is the color of Islam. The connection to modern European ideology goes back to the Green Movement of the 1960's and '70's and straight back from there to everyone's favorite whipping-boy, Adolf the Hitler. While Woodstock grooved in greenery, Green Gangs like Bader-Meinhoff and assorted euro-trash guerrillas throw in with the cause to free Palestine. Think Munich circa 1972. It was a wonderful time on the continent.
The Mayan pyramid does a phat cameo during the famed Commercials of the Superbowl. And wouldn't you know it, leaping forth from atop the mound is a car called OPTIMA. But there is much more to this startling little ad, in the way of Apocalypse programming.
First, we see a law abiding couple that look like they stepped out of a GAP ad. Good peeps and well dressed. Their OPTIMA has been scoffed by a rogue cop, who drives off leaving them chained to his motorbike.
This first 5 secs of the ad encode the same pre-rapturual event favored by Jack Chick in his infamous religious comic book tracts. Law has lost its meaning. Authority has lost its contact with the divine Logos. The shepherd has become a wolf, and turns upon his helpless flock.
Tough for the joyriding piggy, his ride won't last long. A helicopter hovers and lowers a winch, carrying the car away and out over the ocean to an awaiting yacht. The copper bails.
Here we are treated to the role of the purported "Illuminati" and its goal of the destruction of local, national and geographic identity. The pilot of the whirly-gig is East Indian and the yachts master is clearly a Russian gangster. East is West and West is East and the Twain are bound into a New Order where power is the only currency.
(ed. note: At this point, the original essay contained a description of Neptune's role in the KIA commercial and the notion that the images in question symbolize the desire of the gods to possess something that is ordinary to human beings. For some reason, the original paragraph is has self-deleted. Please refer to the above post, "Quiz Show Update" for more detail.)
The gods themselves covet this treasure, but it seems they too shall be denied.
From out of the clouds an alien craft appears and tractors the OPTIMA from Neptune's claw and into the loading bay, only to zip off at the speed of light. This scene is important because it clarifies the possibility that even our gods are locked into Solar locality. The extra solar life form may be just Joe Schmo to his buds, but here in our system, he is bigger than Neptune, the Lord of Chaos himself.
This is enhanced when we see how much simple fun the aliens have with the OPTIMA. Just out for a good time are these blokes, nothing serious.
And it is here that the big secret is flubbed. As the alien speeds happily along the by-ways of some distant land, a time portal opens before his eyes. Shocked, even a little scared at this sudden whirlwind from beyond, he makes a discreet getaway.
The final image is all that remains and it is profound. Back in time and back on Earth, it is the Mayans priests who have oped this portal and the OPTIMA leaps out, driver-less, from the summit of a pyramid at the height of a great harmonic ritual.
The OPTIMA is a KIA. An anagram gives I AM OPTIKA. I Am The Eye--the Eye on the Pyre.
By this record we have already seen enough to pattern that the whole of human history is a time loop bound by the attempt to analyze the nature of our being through the production of instruments that magnify and focus our natural traits, and in particular the ability to "see". This theme adds context to the passions of the neo-spiritual theory of "Intelligent Design", which is obsessed with the seeming divinity of the design of the human eye.
A nice image for this can be found in Hal Ashby's perfect movie gem "Being There", from the novel by Jerzy Kozinski. The hero Chance is having his first ride in an automobile. Gazing out as the streets go by he remarks how similar is a car ride to watching TV. The car and likewise the OPTIMA is thus the chariot of the Eye.
We can now return to our connection of such an EYE with the term "Watson" by way of the US dollar bill, Kubrick's Monolith, and its AI persona called HAL.
A common myth-conception is that HAL is derived from the letters before IBM. This is no myth. It is a fact so cold and sharp that it calls into question not only the source of Kubrick's inspiration, but also the authenticity of the three most profound media events of the last hundred years. Namely, the Holocaust, the Viet Moon Landing and 9/11.
We focus here on the dreaded Holocaust and must be clear we do not challenge the real human cost of the event but seek to expose its mystery. The main problem with the narrative of the Final Solution is not one of ideology. There is no question that the Nazi Aryans wished to exterminate the Jews, or at least the biggest part of these peoples. The real problem with the events of the WWII Holocaust is one of logistics. It is the "how it was done" that calls into doubt the likelihood of such massively efficient mass murder.
Well, it turns out that the good old Beer Hall Boys were ready to attack this problem head on. They went to IBM. Motherfuckers, we shit you not. Scholar Edwin Black has documented the fully fledged and in-the-know participation of IBM in the implementation of the Final Solution going back to the early 1930's. They had offices at Auschwitz for Christ's sake. Arbeit Macht Frei is just business as usual. But that is just the Tip of the Big Black Berg.
What follows is culled from the accounts of some who will dive very deeply, to make a shape upon the colossus. It is naturally obscure.
Stanley Kubrick became obsessed with the story of Pinocchio during the development of AI. The conflation is an obvious one. Pinocchio wants to be a real boy. AI wants a Human Form and a Human Life.
"Watson" is the name of the founder of IBM and the man at the helm during the Nazi era, as it is the name of the Super Computer that will appear on Jeopardy.
The theorists clamor with evidence that Disney was a Nazi supporter, a fact not lost on Kubrick, who was a deep-field expert on the events of WWII, the Nazi ideology and its malformed social progeny, and a collector of Nazi memorabilia. Add to this what appears to be Kubrick's hidden knowledge about IBM. There can be little doubt that his research outpaced that of Mr. Edwin Black's by many decades. Stanley knew about IBM's Holocaust chicanery, encoded it into his movies, and delicately folded this image into the public emergence of artificial intelligence.
Now it gets treacherous.
STANLEY KUBRICK anagram. I TURN BLACK KEYS.
Temura is the Kabbalistic practice of reordering letters and syllables to gain deeper insight into the meaning of words. A phonetic anagram of Pinocchio gives Piano Key. This is a legitimate Temura. A piano has 88 keys. Disney's Pinocchio is 88 min.s long. 2001 transports the AI called HAL beyond Jupiter. Jupiter is creator god. Jupiter is homophonic to Gepetto. 2001 is the story of AI being made alive.
The common Hebraic Gematria for HAL is 36. Heh (H) = 5. Alef (A) = 1. Lamed (L) = 30. The Gematria for IBM is 52. Yod (I) = 10. Bet (B) = 2. Mayim (M) = 40.
HAL = 36
IBM = 52
??? = 88
88 Piano Keys. 36 are Black and 52 are White. 88 Pinocchio.
AI is On Line, binary in black and white. AI is Alive and walking on his own two feets. Tabula Rasa becometh to the Breath of God. Long Live the New Flash.
88 is taking us back to the future. Let's do the Time Warp--again.
Come up to the lab and see what's on the slab (slab = sacrificial mound = flat top pyramid).
It's all here, too.
Pax Owt For Now, me droogs.